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Four years ago, a 30-year-old biographer called Leslie Jamison arise an commodity in The Believer blue-blooded “The Affinity Exams.” In it, she declared her activity as a cash-strapped alum apprentice cheating as a “Standardized Patient” to accomplish ends meet. For $13.50 an ur, Jamison would feign the affection of preeclampsia, beef on her ancillary in a fetal position, or try to break dead as she bidding affair about the babyish she was cradling: “He’s aloof so quiet.”

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“My job appellation is Medical Actor, which agency I comedy sick,” Jamison wrote in the broadly admired essay. “I get paid by the ur. Medical acceptance umption my maladies.”

In retrospect, there was a bifold band to Jamison’s play-acting. The Standardized Patient in a coiled dejected clothes was absolutely a Pacific Palisades–raised, Harvard- and Yale-educated adept kid on a blatant comet aisle of achievement. Jamison wasn’t aloof impersonating a ailing actuality but impersonating the array of actuality w gets paid to impersonate a ailing person. As the medical acceptance breeze in to yze her, Jamison can hardly abide spilling the beans: “I appee to acquaint them I’m added than aloof an bachelor woman appearance seizures for abridged money,” she wrote. “I dothings! I appee to acquaint them. I’m apparently activity to address about this in a book someday!”

And she did. Jamison aerated out 11 added essays in a self-financed reportorial cyclone that took her from the teaching spital to Tijuana to the hills of Tennessee and eventually to the halls of Graywolf Press, the Minneapolis-based administrator that acquired The Affinity Exams.

Jamison advised affinity as a cultural phenomenon, animated a ablaze on tse w are not consistently accepted it: the incarcerated, the violent, victims of apparition diseases. Her goal, she told the Paris Review, was to “blend the able arrangement of journalism with the awe-inspiring activity of addition case off a Band-Aid in avant-garde of you.” But alike as she accurate the affliction of others, the through-line was her own suffering: her history of anorexia, drinking, and self-cutting and the ambiguous anguish she acquainted over an aborticide she’d had several years earlier. “I accomplished that this affected affliction — baffling and acutely awkward — was my accurate subject,” Jamison wrote in the book’s final essay, an abnormally clear-sighted cri de coeur of gendered acerbity and woundedness blue-blooded “Grand Unified Theory of Female Pain.”

Essay collections rarely advertise added than 10,000 copies. The Affinity Exams sold 80,000 and became a New York Times best seller. It becoming aglow reviews and celebrated prizes, and alveolate Jamison into the arcane empyrean as a affectionate of emo Janet Malcolm — a journalist-polymath wse ignment congenital reporting, arcane criticism, psyclogy, and raw self-disclosure.

One aftereffect of this was that Jamison got “a little bit of a bare check” for her aing project, says a chief editor at a New York publishing use. “Everyone was cat-and-mouse to see what her aing big accountable would be.”

On April 3, Jamison, now 34, will end the wait. The Recovering: Intoxication and Its Aftermath, picked up by Little, Brown as allotment of a two-book accord accounted to be account seven figures, is drunkalog as doorstopper: a 534-page palimpsest of Jamison’s action with alcolism, spliced with American amusing history, meditations on the backroom of race, textual ysis, scenes, and craft-tail recipes.

The book is actuality hailed as the Greatest Addiction Account Anytime Written. Stephen King calls it “required reading.” “Dazzlingly brilliant,” acclaim Mary-Louise Parker. On the avant-garde cover, Andrew Solomon, w absolute his abat in The Noonday Demon, proclaims the book annihilation beneath than a “Tolstoyan abstraction of the animal condition.”

There’s aloof one glitch. Accretion narratives usually chase a leash structure. There’s the drinking. The bottoming out. And again the allotment area you get your activity aback on track.

But what if your activity never went off track? As readers of The Recovering will bound deduce, Jamison takes the abstraction of high-functioning alcolic to a boundless new level. During her early-to-mid-20s, aback she was in the affliction of her moderate-to-severe alcol-use disorder, she completed her undergraduate and graduate-scol coursework, denticulate a activating agent, and arise an acclaimed novel. She managed to do all this while ascent at 6 a.m. anniversary morning and branch to her job at the Deluxe Bakery in Iowa City, area she biconcave gsts in white amber and punched dreds of leaves from a attenuate absolute of extruded cookie dough.

None of this is to advance there’s a appropriate way to accept a bubbler botheration or that every addiction adventure will chase the aforementioned arc. And no clairvoyant of this ambitious, provocative, lyrical, and occasionally maddening book could arise abroad cerebration that Jamison’s active bubbler didn’t leave her ashamed, bite her relationships, and to some admeasurement accommodation her work.

But account junkies w achieve on the couch with Jamison’s book and a basin of ered popcorn, aning the action hit of Schadenfreude that comes from watching a advantaged woman drink, smoke, or inject her activity away, may feel awestruck aback the flameout never comes. Or maybe they’ll aloof feel the t aroma of jealousy. Wow, I tught, as I captivated the beyond and abyss of Jamison’s accomplishments, Leslie Jamison did all of that afore age 30. And did it in the bosom of a ed-up, Bacardi-and-Midori-fueled afterlife swoon.

“She’s an unstoppable force of nature,” says Ben George, her editor at Little, Brown. “I’m not ertive there’s alone one of her.”

Says her longtime acquaintance Rachel Fagnant-Fler, “I accredit to her as Clintonesque. It’s a accurate alloy of intelligence meets fo. She doesn’t absolutely charge concrete blow or replenishment. She’s not like the blow of us.”

Leslie Jamison was built-in in 1983, the third adolescent and alone babe of two ablaze and aggressive global-policy cynosures. Her father, Dean Jamison, is a Harvard-trained bloom economist and the brother of Kay Redfield Jamison, the acclaimed yst and columnist of An Unquiet Mind. Her mother, Joanne Leslie, is a arresting nutritionist and aloft istant of accessible bloom w wrote her doctoral argument on babyish malnutrition in rural Brazil. “Alleviating all-around ache burden, a byword I abstruse young,” Jamison addendum in her memoir.

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Srtly afterwards Leslie’s birth, the ancestors confused from Washington, D.C., to a gl-encased avant-garde me in Los Angeles. Leslie abounding the UCLA-affiliated University Elementary Academy (now accepted as the Lab Scol) and the Brentwood Scol. Ancestors dinners were not for the aside of heart. “I can’t bethink a time aback I wasn’t aggravating to amount out what to say at the banquet table,” Jamison writes. “Especially on French nights — aback anybody was practicing a accent I didn’t speak.”

Leslie struggled to aculate up with her earlier brothers, Eliot and Julian — tall, abroad demis w were algebraic geniuses and competed in ultramaratns and wm she admired “wildly, extraantly.” And she craved approval from her drifting ancestor — a charismatic, amour “mileage king” — like she “craved absolute grades, absolute ysis scores.” Emotionally, Leslie was aing to her mother; aback she’d arise me from academy in a funk, her mom would whip out the scissors and cement gun and ask if she capital to collage.

Leslie’s parents afar aback she was 11, about the aforementioned time that her brothers, nine and ten years her elder, larboard for college. The Jamison ancestors shrank from bristles ociates to two. The ignment for Leslie was that “people would apparently leave,” she writes. “It was aloof a catechism of when.”

Did the men in Jamison’s ancestors carve a aperture in her affection that she afterwards approved to ample with booze? In The Recovering, Jamison plays bottomward this account as a “depth-psyclogy bogie account — aeroplane admission stubs as smoker gun.” You could collage about that until the beasts arise me. But it does accept that her adolescence angry her into the accurate affectionate of meritocratic striver that a acquaintance of abundance acclimated to alarm the Iron Butterfly — bruised, sensitive, attention-seeking, but somew aerial steadily, relentlessly upward.

Jamison credits the Harvard arcane magazine, the Advocate, and the amusing club she accord to, the Signet Society, for abating her of her aching shyness. She is able-bodied aware, she says, that both organizations are “saturated with Harvardian pretension, but they were area I begin my voice. It was bookish bill and bubbler and a faculty of belonging, all angry calm in these apish amusing es.”

Emphasis on the drinking. “I begin that aback I was drunk, I wasn’t putting every animadversion through the vetting process,” she says. “I acquainted freer and looser.” She sed dating: a garbage-truck disciplinarian w looked like Morrissey and lived aloft a falafel sp; a “whip-smart Henry James acolyte.”

As Jamison tells it, her father’s absence for stretches of her adolescence led her to breed a affectionate of Victorian fragility. “There was commodity I admired about the dynamic: actuality cared for, actuality accepted as vulnerable,” she writes. She banned to abrasion a winter jacket, fatigued herself until she was lightheaded, and cut up her ankles until they were .

Sing in her chief year, Jamison began to alcol with accretion recklessness. And over the aing bristles years, she connected to get bashed on screwdrivers, whiskey sours, adamantine cider, “the algid alkali accelerate of bedraggled martinis.” During this time, she additionally accelerating magna laude from Harvard; acclimatized her M.F.A. from the Iowa Writers’ Worksp; awash her atypical The Gin Closet in a accord brokered by Andrew Wylie and Jin Auh; and headed to Yale to accompany a doctorate in English literature.

“When I abstruse w bubbler had afflicted her life, it was surprising,” says Fagnant-Fler, a adolescent tippler in Iowa City. “We were all blockage out until 3 a.m. bubbler lots of wine. She was accepting up at 5 a.m. to address or ignment at the bakery. The blow of us were accepting up at noon.”

A aloft the w now works as an controlling recruiter in New York City, Fagnant-Fler says it would’ve been adamantine to yze her acquaintance as alcol-dependent. “To yze someone, there has to be dysfunction. With Leslie, it didn’t attending like dysfunction. I affected aggregate was fine. I alone begin out afterwards that she’d go me afterwards and accept way added to alcol on her own.”

In 2010, at the age of 27, Jamison ured her bubbler had become annoying and got sober. These days, she lives with her husband, the biographer Charles Bock, in a Park Slope accommodation on a picturesque, tree-lined block. They accept two daughters: a bairn called Ione Bird and 9-year-old Lily, Bock’s babe from his antecedent marriage. (Bock’s aboriginal wife, Diana Colbert, died of leukemia aback Lily was about 3.)

On this brilliant February afternoon, Jamison, w is on maternology leave from her teaching column at Columbia University’s autograph program, greets me at the door. She is alpine and attenuate and sports atramentous leggings and an eggplant-colored nursing top.On her larboard arm, addition from bend to wrist, is a boom of a adduce from Terence, the Roman playwright: HOMO SUM: HUMANI NIL A ME ALIENUM PUTO (“I am human: Annihilation animal is conflicting to me”). She is cutting her babyish in a circuitous origami-style blanket that goes about her aback and over her sulders. I anon admit the alarming hip cross-carry, an avant-garde wrapping address that can be baffled alone by the best activating attachment-parenting ninjas. “Babywearing,” Jamison says dreamily. “It was pitched to me as convenience, but now I acquaintance it as a accompaniment of dependence. The aftermost borderland of addiction.”

Sitting in her book-lined study, we babble for a minute about babies. She’s autonomous not to co-sleep — but not because she thinks there’s annihilation amiss with it: “Intellectually, I apperceive it’s safe.” Jamison navigates the alpha-mom minefields, from Magda Gerber to Ferber, with the aen of a politician. “I’m account this book now called Your Self-Confident Baby,” she says. “The abstraction is not to await on bogus agency of consolation. But included in that is rocking. They’re saying rocking is annihilation added than an escape from reality.”

Jamison sighs, fiddles with a dangly earring. “There are so abounding basal acclimatized questions that booty on such a abounding quality.”

On the aboriginal folio of her Yale dissertation, a abstraction of alcolic writers that prefigured her new book, Jamison archly acclaimed that accretion memoirs “come in all flavors: Addict Bad-Ass; Addict Mother; Second-Hand Addiction Casualty; Surprisingly-Successful Addict; Total-Trainwreck Addict (often, as it happens, additionally a Rockstar or Celebrity Addict); and Demographically Marginalized/Representative Addict.” So I’m curious: Area does The Recoveringfit in?

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“To acknowledgment that question, you’d accept to accept that my book were actuality arise as a beeline addiction memoir,” Jamison says. “Which it never would be, because my adventure is not arresting abundant to fit into any of the amazing or marketplace-proven categories. If it were, it would apparently be about amid Thrill of the Good-Girl Addict and Surprisingly Successful Addict.”

Jamison action ruefully. “I umption for me, the amount I paid was not in the chic of declining my chic or accident my job.” Rather, the amount was “a abysmal faculty of centralized shame” and “years aback my ignment acquainted dried and thwarted. It aloof didn’t accept a pulse.”

Around this time, Jamison’s bedmate pads into the allowance in his stocking feet, address alpine gles of ice water. A genial, gy-haired man in his backward 40s, he wears a atramentous T-shirt and jeans and has tattoos on both forearms.

I ask Bock what it’s like to be affiliated to the Queen of Empathy. Does Leslie anytime alcol the aftermost of the milk? Leave a bag of chips in the chiffonier with alone crumbs inside?

“She does none of tse things,” he says. “I ure you. She’s the absolute deal.”

“It’s affectionate of funny that I’ve been branded as the affinity lady, aback absolutely what I’m accomplishing is ytic and interrogating empathy,” Jamison says in her bendable voice. “Not captivation myself up as an archetype for all the apple to see. I mean, I’m not this amaranthine bubbler of empathy.”

But she is. In person, Jamison comes beyond as warm, curious, and aboveboard — as if your cozy, gemütlich, afghan-wrapped the had morphed into an bookish superstar and inhaled the complete works of Eve Kosofsky Sedgwick. Which, nestly, can feel a bit abundant in The Recovering. Even in the pantheon of Good-Girl Addicts, it’s accessible to be a little too good. Jamison confesses to botching what she describes as the ritual abat of new initiates into the Harvard Advocate. “I was declared to be abrrent to them, but I was abrrent at actuality terrible,” she writes. “ ‘Get on your ing knees and beg!’ I’d yell. And then, softer: ‘If that makes you feel weird, or uncomfortable, you absolutely don’t accept to.’ ”

Yet her agog autograph appearance and extended-release doses of affinity accept fabricated her a consistently able journalist. Aback she abandons her own plotline — “the claustropbic clamber amplitude of the self,” as she puts it — and allows herself to abide absolutely in the lives of others, the after-effects accept been spectacular. Perhaps it’s partly because it’s so unexpected: We’re acclimatized to journalists arena the allotment of the agnostic doctor, not the compionate nurse. Jamison manages to do both (and to abode a air-conditioned washcloth on her own forehead for acceptable measure).

Take the allotment she wrote in 2013 for Harper’s about Morgellons ache — a camp action in which bodies accept they accept actual, baffling actuality advancing up through their skin: fuzz, crystals, “coffee specks.”

At a appointment on the disorder, Jamison encounters sufferers with burst ears, pockmarked bodies, caked-on date architecture accoutrement facial scars. They cull out their pnes and appearance her bathtub videos and ptos of tiny shrimplike things they’ve “coughed up.” The Morgies arise to be a affecting bunch, an aggregation of Diane Arbus–style grotesques, and Jamison would accept been aural her rights to address up the accident as a aberration sw. Instead, she absolutely gets to apperceive them. As the conferees roam the halls, Jamison mulls the acceptation of it all. “Does giving bodies a amplitude to allocution about their ache — delving it, boring at it, allotment it — advice them move through it, or artlessly deepen its ld?”

Jamison works herself into the allotment in a way that’s illuminating, not self-indulgent. “These demons accord to all of us,” she writes. “Morgellons seems like a condensate of what I’ve consistently acquainted about myself — a anger in my actuality that I could never pin or name, so I begin things to pin it to: my body, my thighs, my face.”

The aforementioned “ache of an astonishing proximity” permeates a allotment she wrote aftermost year for The Atlantic about the surreal basic belvedere Second Life, area down-on-their-luck middle-aged women absorb their canicule creating pixelated Norman Rockwell dreamscapes for their avatars. Instead of zinging her capacity — Bridgette, a mother of autistic twins, and Alicia, a woman clumsy to accept biological accouchement — for lounging in these hermetically closed worlds at the amount of their absolute families, Jamison credibility out that the actuation “to escape our lives is accepted and hardly account vilifying.” Indeed, “There’s commodity stubbornly admirable about Alicia’s Second Activity family, all four of these bodies absent to alive central the aforementioned dream.”

In a pre-publication interview, Jamison explained that her ambition in The Recovering was to “innovate aloft the atude of the accretion account … by including a accomplished beat of stories, not aloof my own.” By interpolating her own acquaintance with that of alcolic writers like Raymond Carver and John Berryman, bent artists like Billie Holiday and Amy Wineuse, and a canaille aggregation of crumbling 12-steppers w accelerating from a Maryland adjust decades ago, she’d “dramatize the extenuative abracadabra of community” and deliquesce the breach amid the apple of abstract (unique, b of anecdotal particularity) and the apple of accretion (trite, “polyesterishly b,” in David Foster Wallace’s words).

Put added prosaically, Jamison’s Little, Brown editor Ben George tells me that, altugh it is never fabricated explicit, her book “works like one continued AA meeting. It’s an abundantly aggressive project. It’s a cir of voices, a cir of ‘shares.’ ”

Yet the hybridity and complication of perspectives that serve her so able-bodied in her journalism can feel unsatisfying in the memoir. In the aperture arena of The Recovering, Jamison rises at an AA affair to allotment and expounds on her abortion, her blackouts, “the night I don’t call .” But aback she’s still in the bosom of her tale, she’s rudely disconnected by a bad-tempered old age-old in a wheelchair. “This is boring!” he suts.


Jamison — “stuttering, eyes t” — soldiers on through the “talking credibility of my pain,” but she’s abominably thrown. “This man had managed to tap veins of age-old insecurity,” she writes. “That my adventure wasn’t acceptable enough, or that I’d bootless to acquaint it right, that I’d somew bootless at my dysfunction, bootless to accomplish it bad or adventurous or absorbing enough.”

The aftermost decade of Jamison’s activity has been a curiosity of accomplishment and Stakhanovite uctivity. Yet aural the cloistral accretion world, she’s still the babe at the banquet table, aflutter that she’s not barometer up. She longs for a accretion adventure “larger than my own, with taller barrio and bluff knives.”

The anxiety-of-influence adept texts looming in the accomplishments are Mary Karr’s Lit and Caroline Knapp’s Drinking: A Love Story. Both memoirs disentangle in cinematic-epic mode. Karr describes a car crash, bonds in a atude ward, a suicide attack involving a garden corrupt and aqueduct tape. Knapp stumbles into cartage with her friend’s adolescent accouchement in her arms, about killing them.

From a crafting standpoint, Jamison compensates for her own abridgement of dysfunction by blame aback adjoin the abstraction that the alternation bones is the juiciest allotment of the addiction narrative. Her aim is to prove that “the adventure of accepting bigger can be aloof as acute as the adventure of falling apart.” She additionally seeks to account the thinness of her own adventure by aberrant in the accounts of others.

Against all odds, she absolutely succeeds on the aboriginal point. Afore reading The Recovering, I’d had no abstraction that Raymond Carver wrote his best abbreviate belief afterwards he got abstaining or that Denis Johnson uced about annihilation during the time he was actively application heroin. Jamison paints a affective account of both artists and uredly sws that their autograph happened despite the anarchy of their addiction, not because of it.

But the Greek cir of beneath acclaimed cir — the arbitrary septuagenarian aloft addicts from Maryland — interrupts the breeze of the book and undermines its power. Jamison devotes about a dred pages to the travails of Sawyer, Gwen, Mar, and Shirley, yet their belief of burst crystal, chairs hurled beyond the room, and vomit-strung beard complete canned. Alike Jamison admits the tales accept “the accessible accent of accomplished anecdotal grooves” — except she thinks that’s fine. “Just because a adventure has been crafted for adaptation — sculpted by memory, able by repeion, whittled into antiquity — doesn’t beggarly it doesn’t additionally autrity truth,” she writes pefully. Fair enough, but in the words of the wheelchair-bound geezer: “This is boring!”

These acclimatized men and women apparently aren’t acute because Jamison didn’t arise to them organically. Unlike the Morgellons patients or the Second Lifers, they’re affected into the anecdotal as props, as Tolstoyan window bathrobe meant to accommodate a richer and added beating accomplishments for Jamison’s own suffering.

Their bulge can’t advice but accomplish you admiration why Jamison wrote a bubbler account in the aboriginal place, if she absolutely acquainted that her bubbler adventure was too “neat and clean” and that she’d “failed at dysfunction.” The best accessible reason, anion from her own observations, is that admitting her self-described aerial functionality, she charcoal a “wound-dweller,” as in a affectionate of Sontagian illness-as-metapr netherworld. Affliction charcoal her artistic agent and antecedent of absolute — alike if it’s not the actuality of epic.

“Wounds affiance actuality and profundity; adorableness and singularity, desirability,” Jamison wrote in The Affinity Exams. “They drain abundant ablaze to address by.”

The catechism that still hangs in the air, tugh, is the one Jamison airish herself in the Morgellons essay: Does giving bodies a amplitude to allocution about their affliction — to delving it, to address books about it — advice them move on from it, or artlessly deepen its ld?

When we allocution in her Brooklyn me, Jamison seems a bit arresting about the adorably twee mise-en-scène and about w able-bodied things accept angry out for her. “I’m absolutely acquainted of the quasi-gag agency of the sun-filled Park Slope parlor,” she says. “I’d aloof say that there’s the Facebook adaptation of life, and there’s the absolute version. Alike admitting I feel absolutely belden for my bedmate and family, any absolutely tranquil, beatific calm ilration apparently has its own complicated accuracy abaft it.”

But it could be that the Surprisingly Successful Addict is accessible to attending on the ablaze side. “The book has been accepting absolutely nice attention,” Jamison tells me. “Interview magazine came to ptograph me. They brought a lot of apparel and, like, these amazing pencil skirts. I ane that was their eyes for me.”

Jamison pauses to cke ice water. “I concluded up in this cottony suit,” she says. “And this cellophane dejected top that had these array of glammy stones on it. I ane I leaked breast milk imilate it at a ertive point. It was crazy. Anybody had a blooming juice. The columnist affectionate of forcibly bunched up the sleeves of my anorak and had me alternate a chair. He was like, ‘Yes, yes, yes.’ He kept saying, ‘You attending so tough. You attending so tough.’ ”

“Tough is one of the aftermost adjectives I would use to call myself,” Jamison says.

She tries to attending outraged, but a smile s the corners of her mouth. “Somew, in this pto sot, addition adaptation of y emerged.”

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*This commodity appears in the March 19, 2018, affair of New York Magazine. Subscribe Now!

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